Back to trending
Out of the Blue

Out of the Blue

Mystery · Thriller · Romance · 2022

After spending time in prison following an assault charge, Connor Bates now works in a library and spends his free time running, swimming, and trying to piece his world back together. When he meets Marilyn Chambers, the wife of a wealthy businessman, they collide into an intense physical and emotional relationship that quickly escalates into idle talk about her husband’s murder.

Movie details

Out of the Blue

“Only one thing stood in their way... her husband.”

2022 Mystery · Thriller · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After spending time in prison following an assault charge, Connor Bates now works in a library and spends his free time running, swimming, and trying to piece his world back together. When he meets Marilyn Chambers, the wife of a wealthy businessman, they collide into an intense physical and emotional relationship that quickly escalates into idle talk about her husband’s murder.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Out of the Blue?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Neil LaBute

Written by

Neil LaBute

Diane Kruger

Diane Kruger

Marilyn

Ray Nicholson

Ray Nicholson

Connor

Gia Crovatin

Gia Crovatin

Kim

Chase Sui Wonders

Chase Sui Wonders

Astrid

Hank Azaria

Hank Azaria

Jock

KeiLyn Durrel Jones

KeiLyn Durrel Jones

Cast

Frederick Weller

Frederick Weller

Cast

Court is in session

Put Out of the Blue on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.