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Quick Change

Quick Change

Comedy · Crime · 1990

With the aid of his girlfriend, Phyllis Potter, and best friend, Loomis, Grimm enters a Manhattan bank dressed as a clown, creates a hostage situation and executes a flawless robbery. The only thing left for the trio to do is make their getaway out of the city and to the airport. It sounds simple enough, but it seems that fate deserts them immediately after the bank heist. One mishap after another conspires to keep these robbers from reaching freedom.

Movie details

Quick Change

“The bank robbery was easy. But getting out of New York was a nightmare.”

1990 Comedy · Crime 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

With the aid of his girlfriend, Phyllis Potter, and best friend, Loomis, Grimm enters a Manhattan bank dressed as a clown, creates a hostage situation and executes a flawless robbery. The only thing left for the trio to do is make their getaway out of the city and to the airport. It sounds simple enough, but it seems that fate deserts them immediately after the bank heist. One mishap after another conspires to keep these robbers from reaching freedom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Quick Change?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Three Fugitives

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Seven Psychopaths

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Trapped

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When their daughter is abducted by experienced kidnappers, the Jennings turn the tables on their seemingly fool-proof plan.

Thunderbolt and Lightfoot

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With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.

Baby Driver

Baby Driver

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After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

The Killers

The Killers

Crime · 1946

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

Breakdown

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On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker ― who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.

The Taking of Pelham One Two Three

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In New York, armed men hijack a subway car and demand a ransom for the passengers while the authorities question about the method of their escape.

Smokin' Aces

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When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.

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Names above the title

The people responsible.

Directed by

Bill Murray · Howard Franklin

Written by

Howard Franklin

Bill Murray

Bill Murray

Grimm

Geena Davis

Geena Davis

Phyllis Potter

Randy Quaid

Randy Quaid

Loomis

Jason Robards

Jason Robards

Chief Rotzinger

Stanley Tucci

Stanley Tucci

Johnny

Phil Hartman

Phil Hartman

Hal Edison

Kathryn Grody

Kathryn Grody

Mrs. Edison

Court is in session

Put Quick Change on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.