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Karaoke

Karaoke

Comedy · 2024

Bénédicte, a famous opera singer, leads the life of a diva between Parisian palaces and social gatherings. After an evening of excess, she sees her career crumble. Fatou, also a palace regular but as a cleaning lady, is the only one to reach out to her. Passionate about singing, Fatou has one idea in mind: to convince Bénédicte to take part in the big national karaoke contest. The perfect vocal mastery of one and the tenacity of the other could well create sparks and take them very far.

Movie details

Karaoke

2024 Comedy 1h 29m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Bénédicte, a famous opera singer, leads the life of a diva between Parisian palaces and social gatherings. After an evening of excess, she sees her career crumble. Fatou, also a palace regular but as a cleaning lady, is the only one to reach out to her. Passionate about singing, Fatou has one idea in mind: to convince Bénédicte to take part in the big national karaoke contest. The perfect vocal mastery of one and the tenacity of the other could well create sparks and take them very far.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Karaoke?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stéphane Ben Lahcene

Written by

Stéphane Ben Lahcene

Michèle Laroque

Michèle Laroque

Bénédicte

Claudia Tagbo

Claudia Tagbo

Fatou

Sébastien Chassagne

Sébastien Chassagne

Gaspard

David Mora

David Mora

Gilou

Jochen Hägele

Jochen Hägele

Otto

Aaliyah Lexilus

Aaliyah Lexilus

Albane

M

Mahily Dement Elismar

Mahily

Court is in session

Put Karaoke on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.