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Oliver Twist

Oliver Twist

Drama · Adventure · Crime · 1948

When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.

Movie details

Oliver Twist

“A Screen Event To Be Remembered For All Time !”

1948 Drama · Adventure · Crime 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Oliver Twist?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Lean

Written by

Stanley Haynes · David Lean

John Howard Davies

John Howard Davies

Oliver Twist

Robert Newton

Robert Newton

Bill Sykes

Alec Guinness

Alec Guinness

Fagin

Kay Walsh

Kay Walsh

Nancy

F

Francis L. Sullivan

Mr. Bumble

Henry Stephenson

Henry Stephenson

Mr. Brownlow

Mary Clare

Mary Clare

Mrs. Corney

Court is in session

Put Oliver Twist on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.