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Fly Away Home

Fly Away Home

Adventure · Drama · Family · 1996

Amy is only 13 years old when her mother is killed. She goes to Canada to live with her father, an eccentric inventor whom she barely knows. Amy is miserable in her new life... until she discovers a nest of goose eggs that were abandoned when a local forest was torn down. The eggs hatch and Amy becomes "Mama Goose". When winter comes, Amy and her dad must find a way to lead the birds South.

Movie details

Fly Away Home

“To achieve the incredible, you have to attempt the impossible.”

1996 Adventure · Drama · Family 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Amy is only 13 years old when her mother is killed. She goes to Canada to live with her father, an eccentric inventor whom she barely knows. Amy is miserable in her new life... until she discovers a nest of goose eggs that were abandoned when a local forest was torn down. The eggs hatch and Amy becomes "Mama Goose". When winter comes, Amy and her dad must find a way to lead the birds South.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fly Away Home?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Carroll Ballard

Written by

Robert Rodat · Vince McKewin

Jeff Daniels

Jeff Daniels

Thomas Alden

Anna Paquin

Anna Paquin

Amy Alden

Dana Delany

Dana Delany

Susan Barnes

Terry Kinney

Terry Kinney

David Alden

Holter Graham

Holter Graham

Barry Stickland

Jeremy Ratchford

Jeremy Ratchford

Glen Seifert

D

Deborah Verginella

Amy's Mother

Court is in session

Put Fly Away Home on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.