The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Look at Me
Comedy · Drama · 2004
Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.
Movie details
Look at Me
2004 Comedy · Drama 1h 50m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Look at Me?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Agnès Jaoui
Written by
Jean-Pierre Bacri · Agnès Jaoui
Marilou Berry
Lolita Cassard
Jean-Pierre Bacri
Étienne Cassard
Agnès Jaoui
Sylvia Millet
Laurent Grévill
Pierre Millet
Virginie Desarnauts
Karine Cassard
K
Keine Bouhiza
Sébastien
Grégoire Oestermann
Vincent
Court is in session
Put Look at Me on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.