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Miss Pettigrew Lives for a Day

Miss Pettigrew Lives for a Day

Drama · Comedy · Romance · 2008

London, England, on the eve of World War II. Guinevere Pettigrew, a strict governess who is unable to keep a job, is fired again. Lost in the hostile city, a series of fortunate circumstances lead her to meet Delysia LaFosse, a glamorous and dazzling American jazz singer whose life is a chaos ruled by indecision, a continuous battle between love and fame.

Movie details

Miss Pettigrew Lives for a Day

“Every woman will have her day.”

2008 Drama · Comedy · Romance 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

London, England, on the eve of World War II. Guinevere Pettigrew, a strict governess who is unable to keep a job, is fired again. Lost in the hostile city, a series of fortunate circumstances lead her to meet Delysia LaFosse, a glamorous and dazzling American jazz singer whose life is a chaos ruled by indecision, a continuous battle between love and fame.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Miss Pettigrew Lives for a Day?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bharat Nalluri

Written by

Simon Beaufoy · David Magee

Frances McDormand

Frances McDormand

Guinevere Pettigrew

Amy Adams

Amy Adams

Delysia LaFosse

Lee Pace

Lee Pace

Michael Pardew

Ciarán Hinds

Ciarán Hinds

Joe Blomfield

Shirley Henderson

Shirley Henderson

Edythe Dubarry

Mark Strong

Mark Strong

Nick Caldarelli

Tom Payne

Tom Payne

Phil Goldman

Court is in session

Put Miss Pettigrew Lives for a Day on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.