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Jesus Christ Superstar

Jesus Christ Superstar

Drama · History · 1973

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Movie details

Jesus Christ Superstar

“And now the film…”

1973 Drama · History 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jesus Christ Superstar?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last Temptation of Christ

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Operation Finale

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Names above the title

The people responsible.

Directed by

Norman Jewison

Written by

Melvyn Bragg · Norman Jewison

Ted Neeley

Ted Neeley

Jesus Christ

Carl Anderson

Carl Anderson

Judas Iscariot

Yvonne Elliman

Yvonne Elliman

Mary Magdalene

Barry Dennen

Barry Dennen

Pontius Pilate

Bob Bingham

Bob Bingham

Caiaphas

Larry Marshall

Larry Marshall

Simon Zealotes

Josh Mostel

Josh Mostel

King Herod

Court is in session

Put Jesus Christ Superstar on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.