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The Mouse That Roared

The Mouse That Roared

Comedy · 1959

The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.

Movie details

The Mouse That Roared

“They're taking over the country in an invasion of laughs!”

1959 Comedy 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mouse That Roared?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jack Arnold

Written by

Roger MacDougall · Stanley Mann

Peter Sellers

Peter Sellers

Grand Duchess Gloriana XII / Prime Minister Count Rupert Mountjoy / Tully Bascombe

Jean Seberg

Jean Seberg

Helen Kokintz

William Hartnell

William Hartnell

Will Buckley

David Kossoff

David Kossoff

Professor Alfred Kokintz

Leo McKern

Leo McKern

Benter

MacDonald Parke

MacDonald Parke

General Snippet

Austin Willis

Austin Willis

United States Secretary of Defense

Court is in session

Put The Mouse That Roared on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.