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The Musicians

The Musicians

Drama · Music · Comedy · 2025

Astrid Thompson finally succeeds in fulfilling her father's dream: to bring together four Stradivarius for a unique concert, eagerly expected by music lovers around the world. But Lise, George, Peter and Apolline, the four virtuosos recruited for the occasion, are incapable of playing together. The rehearsals are one ego crisis after another. With no solution in sight, Astrid decides to go and find the only person who, in her eyes, can still save the event: Charlie Beaumont, the composer of the score.

Movie details

The Musicians

2025 Drama · Music · Comedy 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Astrid Thompson finally succeeds in fulfilling her father's dream: to bring together four Stradivarius for a unique concert, eagerly expected by music lovers around the world. But Lise, George, Peter and Apolline, the four virtuosos recruited for the occasion, are incapable of playing together. The rehearsals are one ego crisis after another. With no solution in sight, Astrid decides to go and find the only person who, in her eyes, can still save the event: Charlie Beaumont, the composer of the score.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Musicians?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Grégory Magne

Written by

Grégory Magne

Valérie Donzelli

Valérie Donzelli

Astrid Carlson

Frédéric Pierrot

Frédéric Pierrot

Charlie Beaumont

Mathieu Spinosi

Mathieu Spinosi

George Massaro (1er violon)

Emma Ravier

Emma Ravier

Apolline Dessartre (alto)

D

Daniel Garlitsky

Peter Nicolescu (2e violon)

Marie Vialle

Marie Vialle

Lise Carvalho (violoncelle)

Nicolas Bridet

Nicolas Bridet

Le frère

Court is in session

Put The Musicians on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.