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The Last House

The Last House

Horror · Science Fiction · Thriller · 2026

A family suddenly sealed inside their home must work together to survive against dwindling resources and the ominous threat keeping them trapped.

Movie details

The Last House

“How long can you survive?”

2026 Horror · Science Fiction · Thriller 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A family suddenly sealed inside their home must work together to survive against dwindling resources and the ominous threat keeping them trapped.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last House?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Extinction

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And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.

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Double Blind

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The Signal

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Containment

Containment

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Neighbors in a block wake one morning to find they have been sealed inside their apartments. Can they work together to find out why? Or will they destroy each other in their fight to escape?

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Louis Leterrier

Written by

Matthew Robinson

Greta Lee

Greta Lee

Ann

Wagner Moura

Wagner Moura

Jason

Riley Chung

Riley Chung

Ruth (8 Years Old)

Noah Alexander Sosnowski

Noah Alexander Sosnowski

Graham (12 Years Old)

Emma Ho

Emma Ho

Ruth (13 Years Old)

Gabriel Barbosa

Gabriel Barbosa

Graham (17 Years Old)

Arden Cho

Arden Cho

Adult Ruth

Court is in session

Put The Last House on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.