The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Mr. Mom
Comedy · Drama · 1983
Jack and Caroline are a couple making a decent living when Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It's just that he's never done it before, and really doesn't have a clue...
Movie details
Mr. Mom
“When mom goes to work, dad goes berserk!”
1983 Comedy · Drama 1h 31m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
Jack and Caroline are a couple making a decent living when Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It's just that he's never done it before, and really doesn't have a clue...
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Mr. Mom?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Stan Dragoti
Written by
John Hughes
Michael Keaton
Jack
Teri Garr
Caroline
Frederick Koehler
Alex
Taliesin Jaffe
Kenny
C
Courtney-Jane White
Megan
B
Brittany White
Megan
Martin Mull
Ron
Court is in session
Put Mr. Mom on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.