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All the Real Girls

All the Real Girls

Drama · Romance · 2003

In a sleepy little mill town in North Carolina, Paul is the town Romeo. But when his best friend's sister returns home from boarding school, he finds himself falling for her innocent charm. In spite of her lack of experience and the violent protests of her brother, the two find themselves in a sweet, dreamy and all-consuming love.

Movie details

All the Real Girls

“Love is a puzzle. These are the pieces.”

2003 Drama · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

In a sleepy little mill town in North Carolina, Paul is the town Romeo. But when his best friend's sister returns home from boarding school, he finds himself falling for her innocent charm. In spite of her lack of experience and the violent protests of her brother, the two find themselves in a sweet, dreamy and all-consuming love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All the Real Girls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Outsider

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Clash by Night

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Where it lives

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Names above the title

The people responsible.

Directed by

David Gordon Green

Written by

David Gordon Green · Paul Schneider

Paul Schneider

Paul Schneider

Paul

Zooey Deschanel

Zooey Deschanel

Noel

Shea Whigham

Shea Whigham

Tip

Danny McBride

Danny McBride

Bust-Ass (as Danny R. McBride)

Maurice Compte

Maurice Compte

Bo

Heather McComb

Heather McComb

Mary-Margaret

Benjamin Mouton

Benjamin Mouton

Uncle Leland

Court is in session

Put All the Real Girls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.