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I Swear

I Swear

Drama · History · 2025

Diagnosed with Tourette Syndrome at 15, John Davidson navigates his way against the odds through troubled teenage years and into adulthood, finding inspiration in the kindness of others to discover his true purpose in life.

Movie details

I Swear

“I blink. I twitch. I jump. I click. I whistle. I shout.”

2025 Drama · History 2h 1m

Critical arithmetic

One number, for now.

TMDB

8.3 / 10

Community rating

Diagnosed with Tourette Syndrome at 15, John Davidson navigates his way against the odds through troubled teenage years and into adulthood, finding inspiration in the kindness of others to discover his true purpose in life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Swear?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Shattered Glass

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Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

Giant

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Munich - The Edge of War

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Names above the title

The people responsible.

Directed by

Kirk Jones

Written by

Kirk Jones

Robert Aramayo

Robert Aramayo

John

Maxine Peake

Maxine Peake

Dottie

Peter Mullan

Peter Mullan

Tommy

Shirley Henderson

Shirley Henderson

Heather

Scott Ellis Watson

Scott Ellis Watson

Young John

David Carlyle

David Carlyle

Chris

Francesco Piacentini-Smith

Francesco Piacentini-Smith

Murray

Court is in session

Put I Swear on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.