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Splinter

Splinter

Horror · Thriller · Crime · 2008

When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they're carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they'll have to outsmart the deadly organisms.

Movie details

Splinter

“It will get under your skin.”

2008 Horror · Thriller · Crime 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they're carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they'll have to outsmart the deadly organisms.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Splinter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Toby Wilkins

Written by

Ian Shorr · Kai Barry

Jill Wagner

Jill Wagner

Polly Watt

Charles Baker

Charles Baker

Blake Sherman Jr.

Rachel Kerbs

Rachel Kerbs

Lacey Belisle

Paulo Costanzo

Paulo Costanzo

Seth Belzer

Shea Whigham

Shea Whigham

Dennis Farell

Laurel Whitsett

Laurel Whitsett

Sheriff Terri Frankel

Court is in session

Put Splinter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.