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Finding Emily

Finding Emily

Romance · Comedy · 2026

When a lovesick musician is given the wrong number for his dream girl, he teams up with a driven psychology student to find her. Together, they spark a hilarious campus-wide frenzy that tests their own hearts and ambitions along the way.

Movie details

Finding Emily

“Right name, wrong number.”

2026 Romance · Comedy 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When a lovesick musician is given the wrong number for his dream girl, he teams up with a driven psychology student to find her. Together, they spark a hilarious campus-wide frenzy that tests their own hearts and ambitions along the way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Finding Emily?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Clueless

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Where it lives

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Names above the title

The people responsible.

Directed by

Alicia MacDonald

Written by

Rachel Hirons

Spike Fearn

Spike Fearn

Owen

Angourie Rice

Angourie Rice

Emily Raine

Prasanna Puwanarajah

Prasanna Puwanarajah

Professor Westlake

Minnie Driver

Minnie Driver

Dean Watkinson

Cora Kirk

Cora Kirk

Anna

Jack Riddiford

Jack Riddiford

Matt

Isabella Laughland

Isabella Laughland

Freya

Court is in session

Put Finding Emily on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.