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Mirrors

Mirrors

Horror · Mystery · 2008

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

Movie details

Mirrors

“There is evil...On the other side.”

2008 Horror · Mystery 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mirrors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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House of 1000 Corpses

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Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

Psycho Killer

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Following the brutal murder of her husband, a Kansas highway patrol officer sets out on a journey to track down the perpetrator. As the hunt progresses, she comes to realize the man responsible is a sadistic serial killer, and the depth of his mental depravity and his sinister agenda is more twisted than anyone could have imagined.

Play Dead

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Angel Heart

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Daddy's Head

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Doctor X

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The Dogs

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Names above the title

The people responsible.

Directed by

Alexandre Aja

Written by

Grégory Levasseur · Alexandre Aja

Kiefer Sutherland

Kiefer Sutherland

Ben Carson

Paula Patton

Paula Patton

Amy Carson

Amy Smart

Amy Smart

Angela Carson

Jason Flemyng

Jason Flemyng

Larry Byrne

Cameron Boyce

Cameron Boyce

Michael Carson

Arika Gluck

Arika Gluck

Daisy Carson

Ioana Abur

Ioana Abur

Front Desk Sister

Court is in session

Put Mirrors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.