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How to Rob a Bank

How to Rob a Bank

Action · Comedy · Crime · 2007

Caught in the middle of a bank robbery, a slacker and a bank employee become the ones who arbitrate the intense situation.

Movie details

How to Rob a Bank

“...and 10 easy tips to get away with it.”

2007 Action · Comedy · Crime 1h 21m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Caught in the middle of a bank robbery, a slacker and a bank employee become the ones who arbitrate the intense situation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over How to Rob a Bank?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Doberman Gang

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It's vacation time for Carter as he finds himself alongside Lee in Hong Kong wishing for more excitement. While Carter wants to party and meet the ladies, Lee is out to track down a Triad gang lord who may be responsible for killing two men at the American Embassy. Things get complicated as the pair stumble onto a counterfeiting plot. The boys are soon up to their necks in fist fights and life-threatening situations. A trip back to the U.S. may provide the answers about the bombing, the counterfeiting, and the true allegiance of sexy customs agent Isabella.

Where it lives

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Names above the title

The people responsible.

Directed by

Andrews Jenkins

Written by

Andrews Jenkins

Nick Stahl

Nick Stahl

Jinx

Erika Christensen

Erika Christensen

Jessica

Gavin Rossdale

Gavin Rossdale

Simon

Terry Crews

Terry Crews

Officer DeGepse

David Carradine

David Carradine

Nick

Leo Fitzpatrick

Leo Fitzpatrick

Gunman

A

Adriano Aragon

Fellow Officer

Court is in session

Put How to Rob a Bank on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Auteur Devotee

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.