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The Fountain

The Fountain

Drama · Adventure · Science Fiction · 2006

Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.

Movie details

The Fountain

“What if you could live forever?”

2006 Drama · Adventure · Science Fiction 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fountain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Prince Charming

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In My Dreams

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Natalie and Nick are frustrated with their luck in romance. After tossing coins into a fountain, the two then begin dreaming about each other. But, according to fountain mythology, they only have a week to turn those dreams into reality.

The In Between

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After surviving a car accident that took the life of her boyfriend, a teenage girl believes he's attempting to reconnect with her from the after world.

Untamed Heart

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Ordinary Love

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Medicine Man

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Where it lives

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Names above the title

The people responsible.

Directed by

Darren Aronofsky

Written by

Darren Aronofsky · Ari Handel

Hugh Jackman

Hugh Jackman

Tomás / Tom Creo / Tommy

Rachel Weisz

Rachel Weisz

Isabel / Izzi Creo

Ellen Burstyn

Ellen Burstyn

Dr. Lillian Guzetti

Mark Margolis

Mark Margolis

Father Avila

Stephen McHattie

Stephen McHattie

Grand Inquisitor Silecio

F

Fernando Hernández

Lord of Xibalba

Cliff Curtis

Cliff Curtis

Captain Ariel

Court is in session

Put The Fountain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.