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Relationship Goals

Relationship Goals

Romance · Comedy · 2026

When TV producer Leah Caldwell aims to become the first woman running New York's top morning show, her ex competes for the same role. Leah stays focused on her career, until chemistry with her ex challenges her priorities.

Movie details

Relationship Goals

“Work just got complicated.”

2026 Romance · Comedy 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

When TV producer Leah Caldwell aims to become the first woman running New York's top morning show, her ex competes for the same role. Leah stays focused on her career, until chemistry with her ex challenges her priorities.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Relationship Goals?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Linda Mendoza

Written by

Laura Lekkos · Michael Elliot · Cory Tynan

Kelly Rowland

Kelly Rowland

Leah Caldwell

Method Man

Method Man

Jarrett Roy

Robin Thede

Robin Thede

Brenda Phelps

Annie Gonzalez

Annie Gonzalez

Treese Moore

Dennis Haysbert

Dennis Haysbert

Papa Jim

Melanie Leishman

Melanie Leishman

Maya

Matt Walsh

Matt Walsh

Dan Milken

Court is in session

Put Relationship Goals on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.