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Bon Voyage

Bon Voyage

Drama · Comedy · 2003

On the eve of World War II four Parisians cope with the impending invasion of their city by German forces. While the French government braces for impact, the intersected lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.

Movie details

Bon Voyage

2003 Drama · Comedy 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

On the eve of World War II four Parisians cope with the impending invasion of their city by German forces. While the French government braces for impact, the intersected lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bon Voyage?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean-Paul Rappeneau

Written by

Jean-Paul Rappeneau · Patrick Modiano

Grégori Derangère

Grégori Derangère

Frédéric Auger

Isabelle Adjani

Isabelle Adjani

Viviane Denvers

Gérard Depardieu

Gérard Depardieu

Jean-Étienne Beaufort

Virginie Ledoyen

Virginie Ledoyen

Camille

Yvan Attal

Yvan Attal

Raoul

Peter Coyote

Peter Coyote

Alex Winckler

Jean-Marc Stehlé

Jean-Marc Stehlé

Professor Kopolski

Court is in session

Put Bon Voyage on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.