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Bazaar (Murder in the Building)

Bazaar (Murder in the Building)

Comedy · Drama · Crime · 2026

Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.

Movie details

Bazaar (Murder in the Building)

2026 Comedy · Drama · Crime 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bazaar (Murder in the Building)?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rémi Bezançon

Written by

Rémi Bezançon

Gilles Lellouche

Gilles Lellouche

François

Laetitia Casta

Laetitia Casta

Colette

Guillaume Gallienne

Guillaume Gallienne

Yann Kerbec

Isabel Aimé González Sola

Isabel Aimé González Sola

Emma

J

Jenna Knafo

Nathalie Kerbec

Katayoon Latif

Katayoon Latif

Ida

Matthias Jacquin

Matthias Jacquin

Sam Frémont

Court is in session

Put Bazaar (Murder in the Building) on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.