The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Pierrepoint: The Last Hangman
Drama · History · 2005
Following in his father's footsteps, Albert Pierrepoint becomes one of Britain's most prolific executioners, hiding his identity as a grocery deliveryman. But when his ambition to be the best inadvertently exposes his gruesome secret, he becomes a minor celebrity & faces a public outcry against the practice of hanging. Based on true events.
Movie details
Pierrepoint: The Last Hangman
“1940's England. When the world needed a hero, he gave them what they wanted. But history can be cruel.”
2005 Drama · History 1h 38m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.1 / 10
Community rating
Following in his father's footsteps, Albert Pierrepoint becomes one of Britain's most prolific executioners, hiding his identity as a grocery deliveryman. But when his ambition to be the best inadvertently exposes his gruesome secret, he becomes a minor celebrity & faces a public outcry against the practice of hanging. Based on true events.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Pierrepoint: The Last Hangman?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Names above the title
The people responsible.
Cast & crew
Directed by
Adrian Shergold
Written by
Jeff Pope · Bob Mills
Timothy Spall
Albert Pierrepoint
Juliet Stevenson
Annie Pierrepoint
Mary Stockley
Ruth Ellis
Lizzie Hopley
Dorothea Waddingham
Joyia Fitch
Elizabeth Volkenrath
Sheyla Shehovich
Irma Grese
Simon Armstrong
Minister
Court is in session
Put Pierrepoint: The Last Hangman on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.