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Twilight Zone: The Movie

Twilight Zone: The Movie

Horror · Fantasy · Science Fiction · 1983

An anthology film presenting remakes of three episodes from the "Twilight Zone" TV series—"Kick the Can", "It's a Good Life" and "Nightmare at 20,000 Feet"—and one original story, "Time Out."

Movie details

Twilight Zone: The Movie

“You're travelling through another dimension. A dimension, not only of sight and sound, but of mind. A journey into a wondrous land whose boundaries are that of imagination. Next stop, the Twilight Zone!”

1983 Horror · Fantasy · Science Fiction 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

An anthology film presenting remakes of three episodes from the "Twilight Zone" TV series—"Kick the Can", "It's a Good Life" and "Nightmare at 20,000 Feet"—and one original story, "Time Out."

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Twilight Zone: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Dead Zone

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Names above the title

The people responsible.

Directed by

John Landis · Joe Dante · Steven Spielberg

Written by

George Clayton Johnson · Jerome Bixby · Melissa Mathison · Richard Matheson

Dan Aykroyd

Dan Aykroyd

Passenger

Albert Brooks

Albert Brooks

Driver

Scatman Crothers

Scatman Crothers

Mr. Bloom

John Lithgow

John Lithgow

Valentine

Vic Morrow

Vic Morrow

Bill

Kathleen Quinlan

Kathleen Quinlan

Helen Foley

Charles Hallahan

Charles Hallahan

Ray

Court is in session

Put Twilight Zone: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.