The defence The Popcorn Loyalist
“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.
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Kissing Jessica Stein
Comedy · 2002
Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper's personal advertisement. The advertisement has been placed by 'lesbian-curious' Helen Cooper, a thirtysomething art gallerist.
Movie details
Kissing Jessica Stein
“When it comes to love, sometimes she just can't think straight.”
2002 Comedy 1h 37m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper's personal advertisement. The advertisement has been placed by 'lesbian-curious' Helen Cooper, a thirtysomething art gallerist.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Kissing Jessica Stein?
For the defence
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their case For the prosecution
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Jimmy Carr: Natural Born Killer
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The Nowhere Inn
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Names above the title
The people responsible.
Cast & crew
Directed by
Charles Herman-Wurmfeld
Written by
Heather Juergensen · Jennifer Westfeldt
Jennifer Westfeldt
Jessica Stein
Heather Juergensen
Helen Cooper
Scott Cohen
Josh Myers
Jackie Hoffman
Joan
Tovah Feldshuh
Judy Stein
Michael Mastro
Martin
Carson Elrod
Sebastian
Court is in session
Put Kissing Jessica Stein on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Big-Idea Head
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.