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The Best Man

The Best Man

Drama · Comedy · 1999

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance's wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan, Harper attempts to keep it under wraps.

Movie details

The Best Man

“The flower arrangements have been ordered. The sleeping arrangements are still being worked out.”

1999 Drama · Comedy 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance's wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan, Harper attempts to keep it under wraps.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Best Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Malcolm D. Lee

Written by

Malcolm D. Lee

Taye Diggs

Taye Diggs

Harper Stewart

Morris Chestnut

Morris Chestnut

Lance Sullivan

Nia Long

Nia Long

Jordan Armstrong

Harold Perrineau

Harold Perrineau

Julian Murch

Terrence Howard

Terrence Howard

Quentin

Sanaa Lathan

Sanaa Lathan

Robyn

Regina Hall

Regina Hall

Candy

Court is in session

Put The Best Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.