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In Secret

In Secret

Drama · Thriller · Crime · 2014

In 1860s Paris, a young woman, Therese, is trapped in a loveless marriage to the sickly Camille by her domineering aunt, Madame Raquin. She spends her days behind the counter of a small shop and her evenings watching Madame play dominos with an eclectic group. After she meets her husband’s alluring friend, Laurent, she embarks on an illicit affair that leads to tragic consequences. Based on Emile Zola’s novel, Thérèse Raquin.

Movie details

In Secret

2014 Drama · Thriller · Crime 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In 1860s Paris, a young woman, Therese, is trapped in a loveless marriage to the sickly Camille by her domineering aunt, Madame Raquin. She spends her days behind the counter of a small shop and her evenings watching Madame play dominos with an eclectic group. After she meets her husband’s alluring friend, Laurent, she embarks on an illicit affair that leads to tragic consequences. Based on Emile Zola’s novel, Thérèse Raquin.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In Secret?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Charlie Stratton

Written by

Charlie Stratton

Elizabeth Olsen

Elizabeth Olsen

Thérèse Raquin

Tom Felton

Tom Felton

Camille Raquin

Jessica Lange

Jessica Lange

Madame Raquin

Matt Lucas

Matt Lucas

Olivier

Oscar Isaac

Oscar Isaac

Laurent LeClaire

Shirley Henderson

Shirley Henderson

Suzanne

Mackenzie Crook

Mackenzie Crook

Grivet

Court is in session

Put In Secret on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.