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The Raven

The Raven

Horror · Crime · 1935

A brilliant but deranged neurosurgeon becomes obsessively fixated on a judge's daughter. With the help of an escaped criminal whose face he has surgically deformed, the mad man lures her, her father, and her fiancé to his isolated, castle-like home.

Movie details

The Raven

“The uncanny master of make-up in a new amazing shocker!”

1935 Horror · Crime 1h 1m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A brilliant but deranged neurosurgeon becomes obsessively fixated on a judge's daughter. With the help of an escaped criminal whose face he has surgically deformed, the mad man lures her, her father, and her fiancé to his isolated, castle-like home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Raven?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Night Watch

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The Dead Zone

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Johnny Smith is a schoolteacher with his whole life ahead of him but, after leaving his fiancee's home one night, is involved in a car crash which leaves him in a coma for 5 years. When he wakes, he discovers he has an ability to see into the past, present and future life of anyone with whom he comes into physical contact.

The Black Cat

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Twice-Told Tales

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Horror · 1963

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Names above the title

The people responsible.

Directed by

Lew Landers

Written by

David Boehm

Boris Karloff

Boris Karloff

Edmond Bateman

Bela Lugosi

Bela Lugosi

Dr. Richard Vollin

Lester Matthews

Lester Matthews

Dr. Jerry Holden

Irene Ware

Irene Ware

Jean Thatcher

Samuel S. Hinds

Samuel S. Hinds

Judge Thatcher

Spencer Charters

Spencer Charters

Col. Bertram Grant

Inez Courtney

Inez Courtney

Mary Burns

Court is in session

Put The Raven on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.