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Trick

Trick

Comedy · Romance · 1999

Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.

Movie details

Trick

“A story about two guys trying to make it in the big city.”

1999 Comedy · Romance 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trick?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Incredible Jessica James

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Where it lives

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Names above the title

The people responsible.

Directed by

Jim Fall

Written by

Jason Schafer

Christian Campbell

Christian Campbell

Gabriel

John Paul Pitoc

John Paul Pitoc

Mark

Tori Spelling

Tori Spelling

Katherine

Brad Beyer

Brad Beyer

Rich

Lacey Kohl

Lacey Kohl

Genevieve

Steve Hayes

Steve Hayes

Perry

Will Keenan

Will Keenan

Dude

Court is in session

Put Trick on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.