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Hannah Montana: The Movie

Hannah Montana: The Movie

Comedy · Drama · Family · 2009

When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana.

Movie details

Hannah Montana: The Movie

“She has the best of both worlds... Now, she has to choose just one.”

2009 Comedy · Drama · Family 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hannah Montana: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Peter Chelsom

Written by

Dan Berendsen

Miley Cyrus

Miley Cyrus

Miley Stewart / Hannah Montana

Billy Ray Cyrus

Billy Ray Cyrus

Robby Stewart

Emily Osment

Emily Osment

Lilly Truscott

Margo Martindale

Margo Martindale

Ruby

Jason Earles

Jason Earles

Jackson Stewart

Peter Gunn

Peter Gunn

Oswald Granger

Melora Hardin

Melora Hardin

Lorelai

Court is in session

Put Hannah Montana: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.