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To Kill a King

To Kill a King

Drama · Action · Adventure · 2003

A recounting of the relationship between General Fairfax and Oliver Cromwell, as they try to cope with the consequences of deposing King Charles I.

Movie details

To Kill a King

“...It takes a traitor and a hero”

2003 Drama · Action · Adventure 1h 42m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A recounting of the relationship between General Fairfax and Oliver Cromwell, as they try to cope with the consequences of deposing King Charles I.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Kill a King?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Walking Tall

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A former U.S. soldier returns to his hometown to find it overrun by crime and corruption, which prompts him to clean house.

Run

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London Has Fallen

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The King's Man

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44 Minutes: The North Hollywood Shoot-Out

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Action · 2003

After a failed bank robbery, two heavily armed men hold the Los Angeles Police Department at bay for 44 minutes.

Where it lives

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Names above the title

The people responsible.

Directed by

Mike Barker

Written by

Jenny Mayhew

Tim Roth

Tim Roth

Oliver Cromwell

Dougray Scott

Dougray Scott

Thomas Fairfax

Olivia Williams

Olivia Williams

Lady Anne Fairfax

James Bolam

James Bolam

Denzil Holles

Corin Redgrave

Corin Redgrave

Lord de Vere

Finbar Lynch

Finbar Lynch

Cousin Henry

Julian Rhind-Tutt

Julian Rhind-Tutt

James

Court is in session

Put To Kill a King on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.