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Fantomas vs. Scotland Yard

Fantomas vs. Scotland Yard

Comedy · Crime · Adventure · 1967

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

Movie details

Fantomas vs. Scotland Yard

1967 Comedy · Crime · Adventure 1h 44m

Critical arithmetic

The consensus, allegedly.

IMDb

6.7 / 10

8.2K votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fantomas vs. Scotland Yard?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fantomas

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Names above the title

The people responsible.

Directed by

André Hunebelle

Written by

Pierre Foucaud · Jean Halain

Jean Marais

Jean Marais

Fantômas / Fandor / Sir Walter Brown / Giuseppe Luigi

Louis de Funès

Louis de Funès

Commissaire Juve

Mylène Demongeot

Mylène Demongeot

Hélène

F

Françoise Christophe

Lady Dorothée MacRashley

Jean-Roger Caussimon

Jean-Roger Caussimon

Lord Edward MacRashley / Fantômas

Robert Dalban

Robert Dalban

Le directeur du journal

André Dumas

André Dumas

Tom Smith

Court is in session

Put Fantomas vs. Scotland Yard on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.