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Once Bitten

Once Bitten

Comedy · Horror · Fantasy · 1985

Mark wants to lose his virginity, but his girlfriend wants to wait. Unfortunately for both of them, a 400-year-old vampire Countess needs to turn a virgin into a vampire before Halloween in order to preserve her own youthful appearance, and when she finds Mark, she turns his life upside-down.

Movie details

Once Bitten

“Mark Kendall just found out his one-night stand has been around for centuries.”

1985 Comedy · Horror · Fantasy 1h 34m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Mark wants to lose his virginity, but his girlfriend wants to wait. Unfortunately for both of them, a 400-year-old vampire Countess needs to turn a virgin into a vampire before Halloween in order to preserve her own youthful appearance, and when she finds Mark, she turns his life upside-down.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Once Bitten?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Howard Storm

Written by

Jeffrey Hause · Jonathan Roberts · Dimitri Villard · David Hines

Jim Carrey

Jim Carrey

Mark Kendall

Lauren Hutton

Lauren Hutton

Countess

Karen Kopins

Karen Kopins

Robin Pierce

Cleavon Little

Cleavon Little

Sebastian

Thomas Ballatore

Thomas Ballatore

Jamie

Stuart Charno

Stuart Charno

Cabin Boy Vampire

Skip Lackey

Skip Lackey

Russ

Court is in session

Put Once Bitten on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.