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Death Note: L Change the WorLd

Death Note: L Change the WorLd

Fantasy · Action · Thriller · 2008

"The human whose name is written in the Death Note shall die." After making the hardest decision ever, another serious case confronts L. There are only 23 days left and without his best partner Watari, L has to solve the case all by himself for the very first time.

Movie details

Death Note: L Change the WorLd

“The final death note showdown!”

2008 Fantasy · Action · Thriller 2h 8m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

"The human whose name is written in the Death Note shall die." After making the hardest decision ever, another serious case confronts L. There are only 23 days left and without his best partner Watari, L has to solve the case all by himself for the very first time.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Death Note: L Change the WorLd?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hideo Nakata

Written by

Hirotoshi Kobayashi

Kenichi Matsuyama

Kenichi Matsuyama

L

Narushi Fukuda

Narushi Fukuda

Near

Mayuko Fukuda

Mayuko Fukuda

Maki

Shingo Tsurumi

Shingo Tsurumi

Kimihiko Nikaido

Youki Kudoh

Youki Kudoh

Kimiko Kujo

Sei Hiraizumi

Sei Hiraizumi

Dr. Koichi Matsudo

Bokuzo Masana

Bokuzo Masana

Asao Konishi

Court is in session

Put Death Note: L Change the WorLd on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.