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Gamera, the Giant Monster

Gamera, the Giant Monster

Action · Horror · Science Fiction · 1965

A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.

Movie details

Gamera, the Giant Monster

“Striking down jets, grabbing hold of the Tokyo Tower, flying through the air breathing fire, the giant monster of the century!”

1965 Action · Horror · Science Fiction 1h 19m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gamera, the Giant Monster?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Noriaki Yuasa

Written by

Nisan Takahashi

Eiji Funakoshi

Eiji Funakoshi

Dr. Hidaka

Junichiro Yamashita

Junichiro Yamashita

Aoyagi

Michiko Sugata

Michiko Sugata

Nobuyo Sakurai

H

Harumi Kiritachi

Kyoko Yamamoto

Y

Yoshirō Kitahara

Mr. Sakurai

Bokuzen Hidari

Bokuzen Hidari

Old Farmer

Jun Hamamura

Jun Hamamura

Professor Murase

Court is in session

Put Gamera, the Giant Monster on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.