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Wer

Wer

Horror · Mystery · Thriller · 2013

A defense attorney begins to suspect that her client, who is charged with the murders of a vacationing family, might be more than meets the eye.

Movie details

Wer

“The legend reborn”

2013 Horror · Mystery · Thriller 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A defense attorney begins to suspect that her client, who is charged with the murders of a vacationing family, might be more than meets the eye.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Open Grave

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Nocebo

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A fashion designer suffers from a mysterious illness that puzzles her doctors and frustrates her husband until help arrives in the form of a Filipino caregiver who uses traditional folk healing to reveal a horrifying truth.

Where it lives

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Names above the title

The people responsible.

Directed by

William Brent Bell

Written by

William Brent Bell · Matthew Peterman

A.J. Cook

A.J. Cook

Kate Moore

Sebastian Roché

Sebastian Roché

Klaus Pistor

Simon Quarterman

Simon Quarterman

Gavin Flemyng

Vik Sahay

Vik Sahay

Eric Sarin

B

Brian Scott O'Connor

Talan Gwynek

Stephanie Lemelin

Stephanie Lemelin

Claire Porter

Oaklee Pendergast

Oaklee Pendergast

Peter Porter

Court is in session

Put Wer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.