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Circle of Friends

Circle of Friends

Drama · Romance · 1995

Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond?

Movie details

Circle of Friends

“For everyone who ever thought the person they loved was out of their reach”

1995 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Circle of Friends?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Pat O'Connor

Written by

Andrew Davies

Chris O'Donnell

Chris O'Donnell

Jack Foley

Minnie Driver

Minnie Driver

Bernadette 'Benny' Hogan

Geraldine O'Rawe

Geraldine O'Rawe

Eve Malone

Saffron Burrows

Saffron Burrows

Nan Mahon

Alan Cumming

Alan Cumming

Sean Walsh

Colin Firth

Colin Firth

Simon Westward

Aidan Gillen

Aidan Gillen

Aidan Lynch

Court is in session

Put Circle of Friends on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.