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The Patsy

The Patsy

Comedy · 1964

Eccentric bellhop Stanley Belt is recruited unexpectedly by the comedy team of a recently deceased entertainer. Stanley struggles to become a song-and-dance man as the team grooms him to become a star. But as the date of a high-stakes appearance on the Ed Sullivan Show grows near, they begin to fear that the only astonishing thing about Stanley is his utter lack of talent.

Movie details

The Patsy

“Jerry's a dumb-like-a-fox bellhop that some smart alecs manipulate into stardom...”

1964 Comedy 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Eccentric bellhop Stanley Belt is recruited unexpectedly by the comedy team of a recently deceased entertainer. Stanley struggles to become a song-and-dance man as the team grooms him to become a star. But as the date of a high-stakes appearance on the Ed Sullivan Show grows near, they begin to fear that the only astonishing thing about Stanley is his utter lack of talent.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Patsy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jerry Lewis

Written by

Jerry Lewis · Bill Richmond

Jerry Lewis

Jerry Lewis

Stanley Belt

Ina Balin

Ina Balin

Ellen Betz

Everett Sloane

Everett Sloane

Caryl Fergusson

Phil Harris

Phil Harris

Chic Wymore

Keenan Wynn

Keenan Wynn

Harry Silver

Peter Lorre

Peter Lorre

Morgan Heywood

John Carradine

John Carradine

Bruce Alden

Court is in session

Put The Patsy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.