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Buddies

Buddies

Drama · 1985

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

Movie details

Buddies

“...The first dramatic movie about AIDS”

1985 Drama 1h 21m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Buddies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Philadelphia

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Names above the title

The people responsible.

Directed by

Arthur J. Bressan, Jr.

Written by

Arthur J. Bressan, Jr.

G

Geoff Edholm

Robert Willow

David Schachter

David Schachter

David Bennett

L

Libby Saines

Mrs. Bennett

David Rose

David Rose

Steve

B

Billy Lux

Edward

J

Joyce Korn

Lynn

S

Susan Schneider

Sylvia Douglas

Court is in session

Put Buddies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.