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Me Without You

Me Without You

Drama · 2001

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

Movie details

Me Without You

“...best friends forever?”

2001 Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Me Without You?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sandra Goldbacher

Written by

Sandra Goldbacher · Laurence Coriat

Anna Friel

Anna Friel

Marina

Michelle Williams

Michelle Williams

Holly

Oliver Milburn

Oliver Milburn

Nat

Trudie Styler

Trudie Styler

Linda

Marianne Denicourt

Marianne Denicourt

Isabel

Steve John Shepherd

Steve John Shepherd

Carl

Allan Corduner

Allan Corduner

Max

Court is in session

Put Me Without You on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.