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Night Has a Thousand Eyes

Night Has a Thousand Eyes

Thriller · Mystery · 1948

When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.

Movie details

Night Has a Thousand Eyes

“NEVER HAVE THE STARS LOOKED DOWN...ON AN ADVENTURE LIKE THIS !”

1948 Thriller · Mystery 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Night Has a Thousand Eyes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Rebecca

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Names above the title

The people responsible.

Directed by

John Farrow

Written by

Barré Lyndon · Jonathan Latimer

Edward G. Robinson

Edward G. Robinson

John Triton

Gail Russell

Gail Russell

Jean Courtland

John Lund

John Lund

Elliott Carson

Virginia Bruce

Virginia Bruce

Jenny

William Demarest

William Demarest

Lt. Shawn

Richard Webb

Richard Webb

Peter Vinson

Jerome Cowan

Jerome Cowan

Whitney Courtland

Court is in session

Put Night Has a Thousand Eyes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.