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The Devils

The Devils

Drama · 2002

The story of the struggle of an autistic girl and her brother trying to survive without their parents.

Movie details

The Devils

2002 Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The story of the struggle of an autistic girl and her brother trying to survive without their parents.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Devils?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After Love

After Love

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Marie and Boris decide to get a divorce after 15 years of marriage. Tensions rise when cash-strapped Boris must continue to live with Marie and the two children while trying to figure out how to divide the assets.

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Three sisters who share a connection to a violent childhood incident reunite for the chance to come to terms with their past.

Wild Diamond

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The House by the Sea

The House by the Sea

Drama · 2017

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

My Little Loves

My Little Loves

Drama · 1974

Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.

The Passengers of the Night

The Passengers of the Night

Drama · 2022

On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

In Safe Hands

In Safe Hands

Drama · 2018

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

The Past

The Past

Drama · 2013

After four years apart, Ahmad returns to his wife Marie in Paris in order to progress their divorce. During his brief stay, he cannot help noticing the strained relationship between Marie and her daughter Lucie. As he attempts to improve matters between mother and daughter Ahmad unwittingly lifts the lid on a long buried secret...

Phoebe in Wonderland

Phoebe in Wonderland

Drama · 2008

The fantastical tale of a little girl who won't - or can't - follow the rules. Confounded by her clashes with the rule-obsessed world around her, Phoebe seeks enlightenment from her unconventional drama teacher, even as her brilliant but anguished mother looks to Phoebe herself for inspiration.

Where it lives

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Names above the title

The people responsible.

Directed by

Christophe Ruggia

Written by

Olivier Lorelle · Christophe Ruggia

Adèle Haenel

Adèle Haenel

Chloé

Vincent Rottiers

Vincent Rottiers

Joseph

R

Rochdy Labidi

Karim

Jacques Bonnaffé

Jacques Bonnaffé

Doran

Aurélia Petit

Aurélia Petit

Joseph's mother

G

Galamelah Lagra

Djamel

Dominique Reymond

Dominique Reymond

The director

Court is in session

Put The Devils on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.