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Afterglow

Afterglow

Drama · Romance · 1997

Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.

Movie details

Afterglow

“A comedy of tears…”

1997 Drama · Romance 1h 54m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Afterglow?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Alan Rudolph

Written by

Alan Rudolph

Nick Nolte

Nick Nolte

Lucky Mann

Julie Christie

Julie Christie

Phyllis Hart

Lara Flynn Boyle

Lara Flynn Boyle

Marianne Byron

Jonny Lee Miller

Jonny Lee Miller

Jeffrey Byron III

Jay Underwood

Jay Underwood

Donald Duncan

G

Genevieve Bissonnette

Cassie

Domini Blythe

Domini Blythe

Helene Pelletier

Court is in session

Put Afterglow on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.