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Into the Mirror

Into the Mirror

Horror · Mystery · Thriller · 2003

Woo Yeong-min retired from the police force after trying to save his partner and causing his death. After a series of mysterious deaths in the shopping mall in which his uncle has allowed him to work as a security guard prior to its reopening, he must face both his own fear of mirrors and the mystery surrounding the fire that closed down the mall.

Movie details

Into the Mirror

“In the deep night, if you live alone, don't look in the mirror!”

2003 Horror · Mystery · Thriller 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Woo Yeong-min retired from the police force after trying to save his partner and causing his death. After a series of mysterious deaths in the shopping mall in which his uncle has allowed him to work as a security guard prior to its reopening, he must face both his own fear of mirrors and the mystery surrounding the fire that closed down the mall.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Into the Mirror?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kim Sung-ho

Written by

Kim Sung-ho

Yoo Ji-tae

Yoo Ji-tae

Woo Yeong-min

Kim Myung-min

Kim Myung-min

Ha Hyeon-soo

Kim Hye-na

Kim Hye-na

Lee Ji-hyeon / Lee Jeong-hyeon

Kim Myung-soo

Kim Myung-soo

Choi Sang-gi

Ki Joo-bong

Ki Joo-bong

Jeong Il-seong

Rie Young-zin

Rie Young-zin

Choi Mi-jeong

Jung Eun-pyo

Jung Eun-pyo

Kim Il-hwan

Court is in session

Put Into the Mirror on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.