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Cruising

Cruising

Crime · Mystery · Thriller · 1980

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, rookie cop Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.

Movie details

Cruising

“Al Pacino is Cruising for a killer.”

1980 Crime · Mystery · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, rookie cop Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cruising?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

8MM

8MM

Thriller · 1999

A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.

Basic Instinct

Basic Instinct

Thriller · 1992

Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.

The Naked City

The Naked City

Crime · 1948

After a former model is drowned in her bathtub, Detective James Halloran and Lieutenant Dan Muldoon attempt to piece together her murder.

Blue Velvet

Blue Velvet

Mystery · 1986

The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.

Dressed to Kill

Dressed to Kill

Thriller · 1980

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

The First Deadly Sin

The First Deadly Sin

Crime · 1980

A serial killer is stalking New York City. Inspector Edward Delaney is an NYPD detective, nearing retirement, who is trying to put together the pieces of the case. Are the victims somehow linked? What does the brutal method of death signify?

Righteous Kill

Righteous Kill

Crime · 2008

Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?

A Walk Among the Tombstones

A Walk Among the Tombstones

Crime · 2014

Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.

Cop

Cop

Crime · 1988

An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.

Mystery Team

Mystery Team

Comedy · 2009

A group of former Encyclopedia Brown-style child-detectives struggle to solve an adult mystery.

Where it lives

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Names above the title

The people responsible.

Directed by

William Friedkin

Written by

William Friedkin

Al Pacino

Al Pacino

Steve Burns

Paul Sorvino

Paul Sorvino

Capt. Edelson

Karen Allen

Karen Allen

Nancy Gates

Richard Cox

Richard Cox

Stuart Richards

Don Scardino

Don Scardino

Ted Bailey

Joe Spinell

Joe Spinell

Patrolman DiSimone

Jay Acovone

Jay Acovone

Skip Lee

Court is in session

Put Cruising on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.