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Woman on the Run

Woman on the Run

Thriller · Crime · Mystery · 1950

Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.

Movie details

Woman on the Run

“As Startling as Your OWN Scream in the Night!”

1950 Thriller · Crime · Mystery 1h 17m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Woman on the Run?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Norman Foster

Written by

Alan Campbell · Norman Foster

Ann Sheridan

Ann Sheridan

Eleanor Johnson

Dennis O'Keefe

Dennis O'Keefe

Dan Legget

Robert Keith

Robert Keith

Inspector Martin Ferris

John Qualen

John Qualen

Maibus

Frank Jenks

Frank Jenks

Detective Homer Shaw

Ross Elliott

Ross Elliott

Frank Johnson

J

Jane Liddell

Messenger Girl

Court is in session

Put Woman on the Run on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.