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The Evening Star

The Evening Star

Comedy · Drama · Romance · 1996

Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.

Movie details

The Evening Star

“The continuing story of 'Terms of Endearment'.”

1996 Comedy · Drama · Romance 2h 9m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Evening Star?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Harling

Written by

Robert Harling

Shirley MacLaine

Shirley MacLaine

Aurora Greenway

Bill Paxton

Bill Paxton

Jerry Bruckner

Juliette Lewis

Juliette Lewis

Melanie Horton

Miranda Richardson

Miranda Richardson

Patsy Carpenter

Ben Johnson

Ben Johnson

Arthur Cotton

Scott Wolf

Scott Wolf

Bruce

George Newbern

George Newbern

Tommy Horton

Court is in session

Put The Evening Star on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.