The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
The Late Shift
Comedy · Drama · TV Movie · 1996
David Letterman vies with Jay Leno and his manager to succeed Johnny Carson, retiring from "The Tonight Show."
Movie details
The Late Shift
“Two heads fighting for the late night crown - One head's gotta roll.”
1996 Comedy · Drama · TV Movie 1h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
David Letterman vies with Jay Leno and his manager to succeed Johnny Carson, retiring from "The Tonight Show."
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Late Shift?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Betty Thomas
Written by
George Armitage · Bill Carter
John Michael Higgins
David Letterman
Daniel Roebuck
Jay Leno
Kathy Bates
Helen Kushnick
Bob Balaban
Warren Littlefield
Ed Begley Jr.
Rod Perth
Peter Jurasik
Howard Stringer
Reni Santoni
John Agoglia
Court is in session
Put The Late Shift on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.