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The Bélier Family

The Bélier Family

Comedy · Music · Drama · 2014

The whole Bélier family is deaf, except for sixteen year old Paula who is the important translator in her parents' day to day life especially when it comes to matters concerning the family farm. When her music teacher discovers she has a fantastic singing voice and she gets an opportunity to enter a big Radio France contest the whole family's future is set up for big changes.

Movie details

The Bélier Family

2014 Comedy · Music · Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

The whole Bélier family is deaf, except for sixteen year old Paula who is the important translator in her parents' day to day life especially when it comes to matters concerning the family farm. When her music teacher discovers she has a fantastic singing voice and she gets an opportunity to enter a big Radio France contest the whole family's future is set up for big changes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Bélier Family?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Éric Lartigau

Written by

Victoria Bedos · Stanislas Carré de Malberg

Louane

Louane

Paula Bélier

Karin Viard

Karin Viard

Gigi Bélier

François Damiens

François Damiens

Rodolphe Bélier

Éric Elmosnino

Éric Elmosnino

Fabien Thomasson

Roxane Duran

Roxane Duran

Mathilde

Ilian Bergala

Ilian Bergala

Gabriel Chevignon

Luca Gelberg

Luca Gelberg

Quentin Bélier

Court is in session

Put The Bélier Family on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.