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Made in Britain

Made in Britain

TV Movie · Crime · Drama · 1983

16-year-old skinhead Trevor has no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. Social worker Harry Parker tries his best, but Trevor is only interested when there's something in it for him. The centre authorities try to conform Trevor to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

Movie details

Made in Britain

“Trevor is an angry young man.”

1983 TV Movie · Crime · Drama 1h 16m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

16-year-old skinhead Trevor has no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. Social worker Harry Parker tries his best, but Trevor is only interested when there's something in it for him. The centre authorities try to conform Trevor to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Made in Britain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alan Clarke

Written by

David Leland

Tim Roth

Tim Roth

Trevor

T

Terry Richards

Errol Dupray

B

Bill Stewart

Peter Clive

Eric Richard

Eric Richard

Harry Parker

Geoffrey Hutchings

Geoffrey Hutchings

Superintendent

Sean Chapman

Sean Chapman

Barry Giller

J

John Bleasdale

Policeman

Court is in session

Put Made in Britain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.